National Audio Show 2012
Art Audio lives!
Show reports are supposed to be all about new products,
technology and companies, fresh faces, new ideas and reinventing the hi-fi wheel. But with
so many "here today, gone tomorrow" enterprises flashing across the collective
consciousness, especially when it comes to tube amplification, theres something
especially reassuring about rediscovering an established company with a history and proven
track record.
We probably first encountered a Tom Willis amplifier well
over twenty years ago. That was the Art Audio Quintet, a genuinely affordable stereo
integrated amp based on a pair of EL34s a side that quickly became something of a personal
benchmark for musical enjoyment at a time -- when solid-state amplifiers were ubiquitous
at the lower end of the market. So we were particularly pleased to find that, not only was
Art Audio on the exhibitors list, but that the Quintet is still in their range -- although
sadly not at the show. Instead their system was built around another of the Quintets
contemporaries, the Diavolo TW REF, a single-ended 300B stereo chassis with valve
rectification (£7570), driving a pair of Ars Aura M2 speakers (£7000/pair). Front-end
was the art Audio Composer Simply turntable (£2300), fed from a Phase 1 AC power supply
and fitted with an Ortofon tonearm and Swiss Holbourne MC cartridge. MC amplification was
courtesy of the Art Audio Vinyl 1 phono stage (£2839), and gain was set using the
Conductor remote-controlled line stage (£6400).
The sound was just as warm, detailed, fluid and inviting
as we recall, serving as a timely reminder that whilst the latest, greatest thing from the
newest, loudest company will get all the attention, the benefits of buying a proven
product from a manufacturer who has managed to stay in business for over 25 uninterrupted
years are significant -- musically and in terms of the serviceability and salability of
that product, neither quality being one to sniff at. |