Letters • August 2022

One Step and Contemporary releases

August 15, 2022

Marc,

I went onto the Music Direct website to preorder a Mobile Fidelity One Step of Michael Jackson's Thriller and came upon this information: 1/4"/15ips/Dolby A analog master to DSD 256. Further down in the description it says master from original analogue tapes. Then I looked at Hotel California and Eldorado and it said the same thing. Since they changed Sketches of Spain from 45 to 33rpm, I decided I would buy it, but the description for it says: 1/4"/15ips analog master to DSD 64.

Does this mean that these One Steps are now remastered digitally? I know the Michael Fremer has had a problem with some One Steps, like Couldn't Stand the Weather and Tapestry, and I listened to an interview where he said MoFi assured him that Thriller would be done all analog. What is going on here?

I have come to realize that I must sell four LPs for every one I purchase -- as a goal, anyway. With this in mind, while I know the six new Craft Recordings Contemporary titles should all sound incredible, which of them are absolute must-haves? (I will eventually sell my three Electric Recording Company releases, including Way Out West, because it will be released later in this series).

Jeff Levine

Mobile Fidelity admitted that their releases since 2016, which means all, or almost all, of the One Steps, were cut from DSD files, not the original master tapes. It sounds like the master tapes were used to create the digital files, however. I think this is the way things are now, because tapes don't last forever, and no label wants to continue lending out its valuable master tapes for just another LP reissue. I don't have a problem with cutting from digital, but I'm sure some audiophiles are up in arms about MoFi doing it. The One Steps have always been mostly about the streamlined pressing process and high-quality vinyl, and both of those things remain unchanged. People forget (or didn't know to begin with) that some all-analog MoFi LPs were not universally loved. Harry Pearson downright hated some of them. No one makes the music sound better for every listener in every case.

As for those Contemporary titles, I would say that the two Art Pepper and the Benny Carter are essential. I really like My Fair Lady too -- it's charming, likable music -- so I would consider it essential. It is not that difficult to find used, however; I have a few copies, in mono and stereo. There's is also an XRCD of it that's very good (there are XRCDs of the Art Pepper titles too). Given the age of the tapes, having a superior digital version seems prudent.

By the way, there is a half-speed-mastered version of Thriller by Columbia itself. I have it, though I've not listened to it. Maybe finding one would be a good alternative to the upcoming One Step. -Marc Mickelson

Joining

August 1, 2022

Marc,

I would like to join your site's reader list. Thanks.

Kerry Prokupic

You've been added. To join TAB's reader e-mail list and find out about new articles first, send e-mail to rl@theaudiobeat.com. -Marc Mickelson

 

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