High End 2013 However, as usual, Peter had something special up his sleeve to keep the audience interested. This took the form of a recording made by Brett Allen of Wayne Horvitzs band playing live at SnowGhost Studios in Montana. Peter had this on both 16-bit/44.1kHz PCM and DSD, and he lost no time in demonstrating the difference between the two. As you might imagine, the result was pretty clear. The standard file sounded good tonally and in timing terms, but the DSD put you in the room where the recording was made by opening up a full-scale soundstage and placing the players and their instruments precisely within it. This combination of live-recording vitality and clean, open sound from the system was extremely convincing. We could have sat there a lot longer
than we had time for. Peter continues to know -- and share -- a good thing when he hears
it. |
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